Brian Eno ya yi jayayya a cikin fitowar bazara na Artforum a cikin 1986, "GASKIYA NA KOWANE NASARAR POP RECORD, "shine cewa sautinsa ya fi siffa fiye da tsarin waƙarsa ko tsarin kiɗa ko wani abu."Zuwan fasahar rikodi da na'urori masu haɗawa ya riga ya faɗaɗa palette ɗin sonic na mawaƙa, kuma sha'awar kiɗan ba ta kasance cikin waƙa, serialization, ko polyphony kawai ba, amma cikin "ma'amala da sabbin kayan rubutu koyaushe."A cikin shekaru 30 da suka gabata, mawakiya, mai zane-zane, da ƙwararrun masu juyawa Marina Rosenfeld sun gina ɗakin karatu na dubplates-waɗanda ba su da tsada, masu daraja na aluminum da aka lulluɓe cikin laquer kuma an ƙera su da lathe da aka yi amfani da su azaman gwajin gwaji wanda vinyl don rarrabawa jama'a. An kwafi-wanda ke adana sassan sassa na shimfidar wurare na sonic nata: pianos na tinkling, muryoyin mata, raƙuman ruwa, snaps, crackles, da pops.Snippets na abubuwan da aka kammala suma suna kan hanyar zuwa waɗannan fayafai masu laushi, inda, a tsawon maimaita juzu'i, suna jujjuyawa kuma ramukan su sun lalace.(Jacqueline Humphries na Rosenfeld na zamani ta mayar da tsoffin zanen ta cikin layin asciicode kuma ta sanya su a kan sabbin zane-zane a cikin kwatankwacin aikin kwatankwacin bayanai).Ta hanyar zazzagewa da haɗawa a kan benayenta guda biyu, waɗanda ta bayyana a matsayin "na'ura mai canzawa, masanin alchemist, wakili na maimaituwa da canji," Rosenfeld tana tura rubutunta zuwa ƙarshen kiɗan da yawa.Sautin, kodayake ba daidai ba ne, koyaushe ana gane nata.
A watan Mayun da ya gabata, masu juyawa na Rosenfeld sun haɗu da mawaƙin gwaji na Ben Vida's modular synthesizer don haɓaka haɓakawa a Fridman Gallery don murnar sakin rikodin haɗin gwiwar su Feel Anything (2019).Kada ku yi amfani da kayan aikin gargajiya, kuma hanyar Vida ta sabawa na Rosenfeld;yayin da kawai za ta iya zana a ɗakin karatu na samfurori da aka riga aka yi rikodin (mai juyawa, a cikin kalmominta, "ba ya yin fiye da wasa abin da ke can"), yana haɗa kowane sauti kai tsaye.Fitowa daga cikin taron, su biyun sun ɗauki wurarensu a bayan rijiyoyin nasu.A cikin tambayoyin, Vida da Rosenfeld sun jaddada cewa yayin da wani ya fara wasan kwaikwayo a lokacin da suka inganta wasan kwaikwayon, ba wani mai fasaha da ke nufin ya jagoranci ɗayan.A wannan dare na musamman Rosenfeld ya tashi, ya juya ga Vida, ya tambaye shi: "Shin kun shirya yin wasa?"Nodding a gane juna, sun kashe.Umurnin Rosenfeld na benayenta da faranti ba wani abu ba ne, sauƙin halinta na samun nutsuwa yayin da ta kai ga wani acetate ko kuma ta ba da ƙarar ƙarar irin wannan girgiza mai ƙarfi don ta kusa buga gilashin ruwanta.Babu wani abu a cikin furucinta da ya nuna damuwa cewa zai iya fadowa.A kan teburin da ya yi daidai da nisan ƙafafu kaɗan, Vida ya ɗauko ɓangarorin da ba za a iya misalta su ba da sautunan da ba za a iya misalta su ba daga na'urar haɗa shi tare da ƙananan tweaks da sarrafa tarzoma na igiyoyin faci kala-kala.
A cikin mintuna goma sha biyar na farko, babu wani mai wasan kwaikwayo da ya leƙa daga kayan aikinsu.Lokacin da Rosenfeld da Vida a ƙarshe sun yarda da juna sun yi hakan na ɗan lokaci da ɗan lokaci, kamar ba su yarda su yarda da haɗin kai a cikin aikin sauti ba.Tun daga 1994, lokacin da ta fara shirya ƙungiyar Orchestra na Sheer Frost tare da 'yan mata goma sha bakwai suna wasa gitar lantarki mai ɗaure ƙasa tare da kwalabe na goge goge, aikin Rosenfeld ya yi tambaya game da alaƙar tsakanin-da kuma na sirri na masu wasan kwaikwayon da ba a horar da su ba da masu sauraron fursuna kuma sun rungumi batun batun. na salo.Sha'awarta ta ta'allaka ne ga abin da ur-experimentalist John Cage ya gano mummunar cutar a matsayin mai haɓakawa don "komawa cikin abubuwan da suke so da abin da ba sa so, da ƙwaƙwalwar su," kamar "ba sa isa ga duk wani wahayi da ba su sani ba. ”Kayan aikin Rosenfeld yana aiki kai tsaye ta hanyar mnemonic-waɗanda ba a yiwa alama ba su ne bankunan ƙwaƙwalwar ajiyar kiɗa waɗanda waɗanda suka fi sani da abubuwan da ke ciki ke tura su yadda ya kamata.Lallai, sau da yawa tana amfani da samfuran piano masu hikima, kayan aikin da aka horar da ita, kamar tana tono matashin da aka danne.Idan haɓakawa na gama kai ya kusanta wani abu kamar zance inda duk ɓangarori ke magana a lokaci ɗaya (Cage idan aka kwatanta shi da taron tattaunawa), Vida da Rosenfeld sun yi magana a cikin kalmomin da suka yarda da abubuwan da suka wuce da kuma yawancin rayuwar kayan aikinsu.Rikici na duniyar sautin su, wanda aka haɓaka ta tsawon shekaru na aiki da gwaji, yana buɗe sabon yanayin yanayin laushi.
Yaushe da yadda za'a fara, yaushe da yadda za'a ƙare-waɗannan su ne tambayoyin da ke tsara haɓakawa da kuma alaƙar juna.Bayan kamar mintuna talatin da biyar na dumi, sonority mai yawo, Rosenfeld da Vida sun ƙare da kallo, nono, da dariya ga rashin yiwuwar kowane ƙarshe na gaske.Wani memba mai ɗorewa ya yi kira don ƙarawa."A'a," in ji Vida."Wannan yana jin kamar karshen."A cikin haɓakawa, ji sau da yawa gaskiya ne.
Marina Rosenfeld da Ben Vida sun yi a Fridman Gallery a New York a kan Mayu 17, 2019, a lokacin da aka saki Feel Anything (2019).
Lokacin aikawa: Satumba-13-2022